For Academics

All of board members of ISIPAE

All of board members of ISIPAE

All of board members of ISIPAE

In this session, the works of our artists will be exhibited online on the website. The artists will be asked to briefly introduce themselves.

10:30-10:50
``Eco Music Instrumentation and Eco-Piano ModEkAl``
Eka Chabashvili

10:50-11:10
``The Yalli Dances of the Agbaba Region of Western Azerbaijan``
Telman Qəniyev and Afaq Qəniyeva

11:10-11:30
``The Acoustic Ecology of Karstic Caves: A Spectrogram Approach to Ecomusicology``
Alexander Chokhonelidze

11:30-11:50
``The transformation of musical memory in the digital culturalization process: Technology, archiving, and social memory``
Günsu Yılma Şakalar
``A New Dance Culture in Indonesia: Designing the Dance 'Bedhayan Gagrag Sumirat Puspito' with Deep Learning and Muhammadiyah Philosophy``
Arina Restian and Ela Rohmatul Maulidah

11:50-12:10
``Technological and philosophical research methods of time and space aspects in music: the example of Georgian singing folklore``
Shio Abrakhamia

12:10-12:0
`Enhancing Holistic Health Awareness through Mindfulness-Based Breathing and Fascia Practices in Vocal Training``
Ayça Avcı and Gülfem Kıstır``

A musical vision of the world of angels - exemplary of acoustic scenery design in film music
The dizzying career of film music in popular culture means that various elements - previously considered specific, local, or related to specific ideologies or religions - are increasingly becoming global heritage. This is particularly evident in film, which by its very nature tries to be understandable within various cultural systems. As a result, composers who try to deepen the expressive side of film and co-create the reality created in the art of moving images use elements that will have a similar, universal meaning on different continents and for followers of different religions.
This essay aims to demonstrate that the image of the ideal world (identified with paradise) often evoked in films – both literally and figuratively – has its musical determinants. This is particularly evident in the creation of angelic characters – regardless of whether they are beings known from many religions or figurative angels, i.e. characters with angelic features. Regardless of whether we are examining fantasy films, fairy tales, psychological dramas, or science fiction films, the canon of angelic features will include: the use of vocalization, rejection of a clear meter (often replacing expressive rhythm with ``lasting``), rejection of strong contrasts in individual elements of music, avoidance of dance rhythms and many others. My essay will present specific examples of such universal compositional procedures.

Keywords:
Film music, global cultural icons, “meaning” of music, paradise music

The presentation explores the interplay between art music, AI, and human evolution. Art, alongside science, envisions the next stage of humanity through innovative creative approaches, renewed artistic thinking methods, and the breaking of stereotypes. In recent years, new tendencies, genres, and directions in art, along with the integration of artificial intelligence into creative processes, have sparked a significant revolution across various fields, including art music. AI has already transformed the way we approach traditional music creation, as composers no longer work alone but instead collaborate with an assistant that offers extensive possibilities for experimentation. The synthesis of technology and artistic creativity is set to usher in a new era where composers and aspiring music makers can bring their imagination and ideas to life in the digital space through the power of technology.
The purpose of the study is to discuss innovations in art music that correspond to the next stages of human evolution. This goal involves addressing subtasks such as determining the impact of science and AI technologies on art music practices, identifying the features of a new compositional paradigm, and exploring music genres and examples that align with contemporary world agenda and ideals. These, in turn, help shape the mentality of humanity's next stages, including the mindset and worldview of artists.
In the conclusions, it is emphasized that:
—In art music, innovative compositional approaches and methods, along with new directions such as eco-music, multimedia, algorithmic, and electronic compositions, challenge traditional paradigms, break stereotypes of compositional thinking, and lead to a new spiritual agenda for our civilization. These innovations contribute to the transformation of consciousness, preparing humanity for a new stage of evolution that can be considered transhumanism, posthumanism, and metahumanism;
—Through innovations in art music, humanity is entering a new era of creativity and transformation, where human imagination merges with digital possibilities to shape the future of civilization.

Keywords:
AI technologies, algorithmic compositions, neural networks, human-AI synergy, transhumanism, posthumanism, metahumanism.

13:50-14:10
``Metal Head Ornament ``Tepelik`` as a Cultural Heritage Element in Traditional Turkish Women's Clothing and Contemporary Sustainable Jewelry Design Application Examples``
Songül Aral

14:10-14:30
``Movement And Voice Plastics Suggestion For The Combined Use Of Movement And Voice As A Method To Improve Mental, Emotional, Physical Capacities``
Beste Naiboğlu

14:30-14:50
``Blockchain Technology as a Creative Tool in Plastic and Performative Arts: Human Unreadable and Coddess Variations``
David M. Berry and Merve Güven Özkerim

14:50-15:10
``Development of Musical Hearing Skills in the Digital Era``
Marika Nadareishvili

The emergence of new media is closely tied to the Fluxus movement, which, alongside revolutionary changes in art, also advocated for political and social transformations. Neo-Dadaists redefined the philosophy of art, effectively abolishing the concept of the ``professional.`` Professional censorship serves as a boundary that excludes individuals without specific skills from artistic processes.
According to Marshall McLuhan, media, medium and technologies are synonymous. He argued that technologies are extensions of the human body, designed to simplify life. For instance, computer graphics have eliminated the necessity of innate drawing skills, enabling anyone to create visual artworks.
Conceptualism in art has become closely associated with social and political critique. An exemplar of this approach is Hito Steyerl, whose so-called ``instructional films`` serve as critiques of political, social, and technological systems. Her installations are crafted in the aesthetic of YouTube's ``how-to`` video genre, presenting explorations of politicoal economic and p hilosophical theories.
A similar approach characterizes the work of the duo Mariam Natroshvili and Detu Jincharadze, who create within the realms of CGI and virtual reality. Capitalism, post-capitalism, and posthumanism are central themes of their work I Pity the Garden, a conceptual multimedia installation presented as Georgia’s entry at the 2022 Venice Biennale. Created in virtual reality, the piece offers an interactive environment where architecture, computer graphics, conceptual art, cinema, music, and various other media merge into a digital ecology.
In conclusion it is emphasized that new technologies serve as tools that facilitate the production of critical discourse. New media enable the creation of art outside the constraints of corporate or institutional frameworks, allowing for works that are revolutionary in both form and content.

Key words: Fluxus, New Media, Hito Steyerl, Mariam Natroshvili and Detu Jincharadze, Critical Theory.

16:30-16:50
``Conservatory academicians' utilization of digital technologies``
Sevim Yamak, Simge Narin, Berna Özkut

16:50-17:10
``Examination of Expert Opinions on Artificial Intelligence Designs``
Ünal Bastaban and Buse Erdağı

17:10-17:30
``Creation of Graphic Notation for Azerbaijani Composers``
Arzu Halilova

17:30-17:50
``A Perspective on the Use of Ashik Embellishments by Bayram Hüseyinli in Azerbaijani Ashik Music``
Sabine Aliyeva

17:50-18:10
``Enhancing Holistic Health Awareness through Mindfulness-Based Breathing and Fascia Practices in Vocal Training``
Ayça Avcı and Gülfem Kıstır

18:10-18:30
``Holistic Instrument Practice Model with Fascia Awareness``
Ayça Avcı

18:40-19:00
``The Case of Oguz Yurttadur in The Context of Colorist Style in Contemporary Turkish Painting``
Ahmet Faith Özmen

19:00-19:20
``The Role of Digital Technologies in Vocal Training: The Use of Voice Analysis and Feedback Systems``
Alper Şakalar

19:20-19:40
`` Analysis of the factors that contributed to the popularization of A. Babayev's song ``Nazende Sevgilim````
Sehrana Kasimi

19:40-20:00
``The Review of the Creative Thinking Development of the Children in terms of the Age and the Grade``
Kani Ülger

20:00-2020
``Mezzosoprano``